2013 Matches

2013 Matches:

Studio Artist Veronica Cianfrano & Tori Adamo, Painting/Drawing '15

Jennifer Schick of PHAIR & Sydney Andrews, Multidisciplinary '14

Studio Artist Kay Healy & Tim Martin, Animation '15

Kay Healy & Monica Morris, Sculpture '15

Studio Artist Michele Kishita, & Alexandra Coultas, Painting/Drawing '14

Michele Kishita & Phillip Mastrippolito, Painting/Drawing '15

Nicolette Marinos of Sandbox Studios & Morgan Beye, Photography '15

Wednesday, July 24, 2013

Studio Day 7/22/13

When first coming into the studio on Monday, Michele had Philip and I open up our 
computers and look at all of the links she had sent us in an email. The first link
contained information on art expenses and how to organize all the money one
will spend on anything art related and how to file that in with your taxes. The next set of 
links Michele provided us with several opportunities, some of them job/intern opportunities and 
some show opportunities. The one link that caught my attention the most was with InLiquid, which
Michele said she pays yearly to be a part of their artist directory, she has been in a ton of shows 
because of them over the past year
After reviewing these links and having Michele explain to us what each one is about, Michele had
me go through 5 large plastic bags filled with art supplies, while Philip filled out Michele's art expenses document. I was to organize all of these supplies and figure out which of them belong upstairs in the loft area, or downstairs where Philip and I set up a large shelving unit filled with supplies Michele uses often. 
After I had finished organizing all of these supplies, I finished painting/applying paper to Michele's
"waterfall" piece. 
Because many of these wooden strips were in one of Michele's previous show and also because of 
this wicked heat this summer, these strips were all pretty much stuck together during the time they were stored in the loft. Some of the paint and also paper got damaged in the process. Which is why I went back in and repainted and also in some cases had to re-paper the pieces. Michele also had me add in the two orange pieces. 

Saturday, July 20, 2013

Germantown Nursing Home

This month we've started working with Seniors! Kay is super interested in getting stories for her installation, so when it comes to finding more objects to include, we've been working with seniors in the Germantown Nursing home to talk about and discover objects from some of the most experienced people in the area :)

In these photos I'm working with a woman who I've worked with before named Effie Smith. Although the Baby Ruth pillow is actually from Gladys' story, she and I had a fantastic time making these little pillow candy bars. Effie has told me about her salt and pepper shaker collection from long ago, and It's facinating to hear that she had hundreds of salt and pepper shakers, different ones for every little occasion.

The baby Ruth comes from Gladys who, when she was 7 years old, stole her father's Model T, drove it to the local store, and bought herself a Baby Ruth candy bar. These pillows don't just represent the candy bar in the story, they represent Gladys, and her independence at such a young age.

I'm personally very interested in the meaning that we place behind things that we see and experience, especially if it is a shared one. I'm really glad to be working with Kay because of the fact that I can consciously notice that appreciation growing. One Baby Ruth bar may spur completely different memories and time periods than that of the person sitting right next to you. Cool.







"I'm gonna eat it!"


Thursday, July 18, 2013

Studio day 7/15/13

The day started with Michele asking me to fix one of her paintings she is giving to a friend. 
I happily said yes to this task, I felt proud that she trusted me enough to help mend one of her 
paintings. 
Michele had me paint over what was a large brown cloud-like form with the pink paint seen above, but asked me to leave a border of what once was underneath. When face to face the new thick layer of pink adds yet another textured layer to this collage.
After I completed the painting touch-up, Michele had me bring down the strips of painted/unpainted wood she featured in a recent show at the Painted Bride (which can be seen on her website http://michelekishita.com/home.html)
For an upcoming show Michele has decided to use some of these wood panels again, as well as make some newer ones. So once she figured out how she wanted the large piece to look, I got to work on painting new panels. 
 These are the two I had started, however still need some collage paper. After making a few more the new and improved piece should be complete. 
In about two weeks Michele and I will be making our way to Connecticut with her new work to present to a gallery she shows her artwork at very often. I'm excited for this trip because not only have I never been to Connecticut before, but this will be my first experience seeing how a professional artist handles working with galleries. Needless to say it's going to be a good day!
(Some of Michele's pieces we will be bring up to the Connecticut gallery)

Friday, July 12, 2013

Studio summer cleaning

Studio Summer Cleaning


Because Michele has been making a lot of new work this summer, her studio had become pretty cluttered, and she just couldn't take it anymore. So last Monday, she brought a large shelving unit with her to the studio which she had Philip and I put together and organize. At first we had to do a lot of sorting, because as many know, when one is constantly creating new work, it is easy to get unorganized and start losing supplies. While I was organizing raw canvas and bags upon bags of miscellaneous supplies, Philip was doing a great job cleaning up the paint cart. 

Once Philip and I had finished sorting everything (putting the nails with the nails, glue with the glue, etc) it was time to start setting up all of these categories onto the shelves. Large wall paint went on the bottom shelf,  the second shelf contained silver and gold leaf, collage paper (which Philip had sorted according to color!), various sizes of canvas board, along with some other things. The third shelf was the most accessible for Michele and I's height, so there I put things that she and I most commonly use, such as frog tape, painting tape, a bunch of different types of glue, among other things. The fourth shelf  was strictly for canvas, whether it be canvas scraps, long pieces, or wide pieces, which I had organized according to size. 

At the end of the day I was very satisfied with the outcome, I enjoy organizing and can typically only work in clean spaces, and Michele seemed very pleased. All that is left to organize will be the loft in Michele's studio, which will definitely be happening in the next couple of weeks! 


Tuesday, July 9, 2013

Pulling Screens...


 Step one is to set up a practice print on a sheet of acetate so that you can see where the screen is going to pull without getting any ink on the fabric or paper you are printing on


Pulling ink through the screen has to be done swiftly and several times




Flooding the screen. This means spreading ink over the top so that it doesn't ball up and drip down or through the screen as you lift it. It also makes your next pull much easier.



What a beautiful print.

Sunday, June 30, 2013

TMNT Prints



The final versions of each print on fabric Kay has been making pillows out of each to be used in the final installation that is due in the Free Library next year. These TMNT prints are being put in because her husband remembers having action figures when he was small that were thrown away by his mother at some point. Kay interviews different people and is interested in any nostalgic pieces of furniture or special items that people remember. Her installation is an exploration of that sense of nostalgia and association that people present with objects that have any sort of significance to them! 

after the first month...

Summer has been pretty crazy so far for me, but one of the most relaxing commitments I have as I'm off from school, I can attribute to the time that I've spent helping Kay Healy out in her studio. She has an amazing space that she shares with her equally talented and awesome HUSBAND (just married on the 20th) Greg Pizzoli. Both are fantastic artists and it's great being able to join them in their space as they both work on stuff together. Kay has a very relaxing atmosphere to all of her work, and I think it comes directly from her process and interest. There are two areas where I feel that I have been growing the most when it comes to helping kay out with her work. But the most fantastic feeling is knowing that I'm being influenced myself as an artist in ways that I have even yet to notice :)

One is sewing. I haven't ever used it in a process to apply to my own work, but after spending time with Kay I can totally get a sense of how it can be a cathartic but productive process. Kay has a very soft sense that comes both literally through in her trapunto-pillow process and in the atmosphere of a very homey, nostalgic sense of her work.

The other is screen printing. A process I had never before been familiar with, I had only dreamed about being comfortable with the process. But after working with Kay I have discovered many things about the process that I both had anticipated, and some things that were surprising to me indeed. One surprise was just the simple fact of how much of a process it really is! I quickly came to realize the expense and need for a specific space to do effective screen printing at all.